This Baby Sloth With Inspire You to Keep Going Allison Page Summary

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Papers

Feminist Media Studies , 2021

Over the by decade, U.S. police departments have incorporated media technologies that promise t... more Over the by decade, U.S. police departments have incorporated media technologies that promise to make policing more than efficient and "race-neutral," including body and dash cameras, drones, and predictive analytics. Such tools are positioned as unbiased and therefore reliable instruments that will concord both the state and citizens accountable during constabulary interactions. This neutrality occurs along axes of race and affect, and presumes these technologies as anti-emotional tertiary-party witnesses to exchanges between the land and public. In this commodity, we connect the expansion of high-tech policing to the racialized and gendered management of affect, underscoring how the supposed accountability offered by these technologies does not upend the disciplining of emotion. We examine the relationship between melancholia governance and media technologies through an analysis of Diamond Reynolds' Facebook Live video of constabulary killing her boyfriend Philando Castile, which we theorize alongside the dash camera video of Sandra Bland, a 28-year-old Black woman who was pulled over past a police officer and arrested, and who allegedly died past suicide in jail iii days later. Nosotros argue that taken together, the videos demonstrate the ongoing racialized and gendered imperative that Blackness women regulate their emotional reactions to state violence both despite and considering of the presence of recording devices.

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Cultural Studies , 2021

This commodity analyses an emergent category of pre-pandemic YouTube video devoted to documenting a... more This article analyses an emergent category of pre-pandemic YouTube video
devoted to documenting and assessing the experience of concern/first form
air travel. We understand these videos as texts enmeshed in a broader
culture of diminished and fraught customer service, inextricable from the
circuitous status economic system that has emerged under neoliberal capitalism in
general and with item intensity in commercial aviation. In contrast to
the increasingly antagonistic micro social relations of the motorcoach cabin, the
videos portray the lavishness, courtesy, and attentiveness associated with a
luxury feel – in particular, the conspicuous provision of service they
depict is implicitly juxtaposed with its withdrawal elsewhere. Amongst other
things, they offer us a means of capturing rapidly shifting and sometimes
amorphous norms of consumer selfhood and testify to the affordances of
digital media to arts and crafts new vernacular cultures of consumerism. The videos
aestheticize luxury in an era of intensified class stratification and extreme
inequality, and simultaneously exemplify the rise of self-branding and
influencer civilisation as tools on offering to mitigate the devastations of
neoliberalism. The showtime-form motel as a space of intense privilege with
implications for broader class and labour stratification has been largely
unexamined by scholars. Here, we are especially attentive to how the
triangulation between three populations – the first-class flier, the airline
worker, and the double-decker passenger – indexes a number of characteristics of
tardily-stage commercialism, including the growth of self-service alongside flexible
and precarious labour.

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America Unfiltered , 2020

Blog postal service for America Unfiltered

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Communication, Culture and Critique , 2019

Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity... more Participants in the #MeToo movement on Twitter expressed emotions similar rage, pain, and solidarity in their personal accounts of sexual violence. This commodity explores the digital circulation of these affects and considers how the outpouring of tweets about sexual harassment and abuse contribute to a feminist politics centered on collective healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quan-tification and visibility that undergird popular feminism and the attention economy, and produce an affective excess that works toward movement founder Tarana Burke's original projection of "mass healing." At a moment wherein pop feminism emphasizes individual empowerment and consumption, and carceral feminism relies on criminalization and incarceration, the #MeToo movement's focus on shared emotions represents the potential for a feminist politics rooted in commonage support and restorative justice.

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International Journal of Cultural Studies , 2019

In 2016, the A&E cable network partnered with the Clark Canton Jail in Jeffersonville, Indiana, t... more In 2016, the A&East cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate vii volunteers as clandestine prisoners for two months. This article takes the reality television franchise threescore Days In as a case study for analyzing the convergence of prison house and television, and the rise of what we telephone call the prison-televisual complex in the U.s.a., which denotes the imbrication of the prison organisation with the television manufacture, not merely television as an ideological apparatus. 60 Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business and cultural practices of entertainment, and the demands of the attention economy-ratings, content, profitability, sharing-come to impact the prison equally a disciplinary institution. The prison-televisual complex, nosotros argue, participates in and facilitates carceral governing practices, including the Television set industry's involvement in the classification, criminalization, and warehousing of dispossessed populations.

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International Journal of Cultural Studies , 2019

In 2016, the A&E cable network partnered with the Clark Canton Jail in Jeffersonville, Indiana, t... more In 2016, the A&East cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers as undercover prisoners for two months. This article takes the reality television franchise threescore Days In as a case study for analyzing the convergence of prison and tv, and the rise of what nosotros call the prison-televisual complex in the United States, which denotes the imbrication of the prison organization with the tv manufacture, not simply television as an ideological appliance. sixty Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business and cultural practices of entertainment, and the demands of the attention economic system-ratings, content, profitability, sharing-come to affect the prison every bit a disciplinary institution. The prison house-televisual complex, we debate, participates in and facilitates carceral governing practices, including the Telly industry'south interest in the classification, criminalization, and warehousing of dispossessed populations.

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Journal of Consumer Civilization

In this article, I examine slaveryfootprint.org to consider the complexities of so-chosen upstanding... more In this article, I examine slaveryfootprint.org to consider the complexities of so-called ethical consumption in a transnational, neoliberal context reliant on new media. I argue that the characterization of slavery on slaveryfootprint.org (and the procedure of de-fetishizing this labor) attempts to shore up a distinction between "free" and forced labor, only unwittingly illuminates the ambiguity of this divide. At the same fourth dimension, the website uses U.Due south. chattel slavery to add moral heft and urgency to address what information technology calls modern-solar day slavery. In so doing, slaveryfootprint.org locates slavery elsewhere both temporally and spatially, and therefore erases the afterlife of slavery and the salience of antiblackness to gimmicky everyday life.

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Television and New Media , Jul 2015

The surge of U.S. reality boob tube shows focused on "making over" contestants has paralleled th... more than The surge of U.S. reality television shows focused on "making over" contestants has paralleled the decline of the welfare state, the eradication of Affirmative Action, and the rise of the prison-industrial complex. This commodity examines MTV's "From G's to Gents" to consider questions of neoliberal governmentality and race. By analyzing the evidence's relationship to the prison organization, enterprise civilisation, and heteronormativity, I argue that the show functions every bit a technology that governs blackness freedom under neoliberalism.

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Cultural Studies/Critical Methodologies, special effect on Trayvon Martin

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Books

University of Minnesota Press , 2022

From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to F... more From the archetype television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Melancholia Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media non only as a system of representation but also every bit a technology of citizenship and subjectivity, wherein race is seen every bit a problem to be solved. Ultimately, she argues that visual civilization works through emotion, a powerful lever for shaping and managing racialized subjectivity.

PaperRank:

Feminist Media Studies , 2021

Over the past decade, U.S. police departments have incorporated media technologies that promise t... more Over the by decade, U.South. police departments have incorporated media technologies that promise to make policing more efficient and "race-neutral," including body and nuance cameras, drones, and predictive analytics. Such tools are positioned as unbiased and therefore reliable instruments that will hold both the land and citizens accountable during police interactions. This neutrality occurs along axes of race and affect, and presumes these technologies as anti-emotional third-party witnesses to exchanges between the state and public. In this article, nosotros connect the expansion of loftier-tech policing to the racialized and gendered direction of affect, underscoring how the supposed accountability offered by these technologies does non upend the disciplining of emotion. We examine the relationship between affective governance and media technologies through an assay of Diamond Reynolds' Facebook Alive video of police killing her boyfriend Philando Castile, which we conjecture alongside the dash camera video of Sandra Bland, a 28-year-onetime Blackness woman who was pulled over by a police officer and arrested, and who allegedly died by suicide in jail iii days later. We debate that taken together, the videos demonstrate the ongoing racialized and gendered imperative that Blackness women regulate their emotional reactions to land violence both despite and because of the presence of recording devices.

PaperRank:

Cultural Studies , 2021

This article analyses an emergent category of pre-pandemic YouTube video devoted to documenting a... more than This article analyses an emergent category of pre-pandemic YouTube video
devoted to documenting and assessing the feel of business organization/start course
air travel. Nosotros understand these videos as texts enmeshed in a broader
civilization of macerated and fraught customer service, inextricable from the
circuitous status economy that has emerged nether neoliberal capitalism in
full general and with particular intensity in commercial aviation. In contrast to
the increasingly combative micro social relations of the coach cabin, the
videos portray the lavishness, courtesy, and attentiveness associated with a
luxury experience – in particular, the conspicuous provision of service they
describe is implicitly juxtaposed with its withdrawal elsewhere. Amongst other
things, they offering united states a means of capturing rapidly shifting and sometimes
amorphous norms of consumer selfhood and testify to the affordances of
digital media to arts and crafts new vernacular cultures of consumerism. The videos
aestheticize luxury in an era of intensified class stratification and farthermost
inequality, and simultaneously exemplify the rise of self-branding and
influencer culture as tools on offer to mitigate the devastations of
neoliberalism. The first-grade cabin every bit a space of intense privilege with
implications for broader form and labour stratification has been largely
unexamined by scholars. Here, nosotros are especially attentive to how the
triangulation between three populations – the start-class flier, the airline
worker, and the jitney passenger – indexes a number of characteristics of
late-phase capitalism, including the growth of self-service alongside flexible
and precarious labour.

PaperRank:

America Unfiltered , 2020

Blog post for America Unfiltered

PaperRank:

Advice, Civilization and Critique , 2019

Participants in the #MeToo movement on Twitter expressed emotions like rage, pain, and solidarity... more Participants in the #MeToo move on Twitter expressed emotions like rage, hurting, and solidarity in their personal accounts of sexual violence. This commodity explores the digital circulation of these affects and considers how the outpouring of tweets nearly sexual harassment and abuse contribute to a feminist politics centered on commonage healing. The particular emotions expressed in the #MeToo Twitter archive subvert the logics of quan-tification and visibility that undergird pop feminism and the attending economic system, and produce an melancholia excess that works toward movement founder Tarana Burke'south original project of "mass healing." At a moment wherein popular feminism emphasizes individual empowerment and consumption, and carceral feminism relies on criminalization and incarceration, the #MeToo move's focus on shared emotions represents the potential for a feminist politics rooted in commonage back up and restorative justice.

PaperRank:

International Periodical of Cultural Studies , 2019

In 2016, the A&E cable network partnered with the Clark County Jail in Jeffersonville, Indiana, t... more In 2016, the A&East cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers equally undercover prisoners for two months. This commodity takes the reality television franchise 60 Days In as a case report for analyzing the convergence of prison house and television, and the rise of what we call the prison house-televisual complex in the United states of america, which denotes the imbrication of the prison system with the television manufacture, not only television as an ideological apparatus. 60 Days In represents an entanglement between penalisation and the culture industries, whereby carceral logics flow into the business concern and cultural practices of entertainment, and the demands of the attending economy-ratings, content, profitability, sharing-come to affect the prison as a disciplinary institution. The prison-televisual circuitous, we fence, participates in and facilitates carceral governing practices, including the TV industry's interest in the nomenclature, criminalization, and warehousing of dispossessed populations.

PaperRank:

International Periodical of Cultural Studies , 2019

In 2016, the A&East cable network partnered with the Clark Canton Jail in Jeffersonville, Indiana, t... more In 2016, the A&East cable network partnered with the Clark County Jail in Jeffersonville, Indiana, to incarcerate seven volunteers as undercover prisoners for two months. This article takes the reality television franchise 60 Days In every bit a example report for analyzing the convergence of prison and television, and the rise of what nosotros phone call the prison-televisual complex in the United States, which denotes the imbrication of the prison house organization with the television industry, not simply television every bit an ideological apparatus. 60 Days In represents an entanglement between punishment and the culture industries, whereby carceral logics flow into the business concern and cultural practices of entertainment, and the demands of the attention economy-ratings, content, profitability, sharing-come to touch on the prison house every bit a disciplinary institution. The prison-televisual complex, we argue, participates in and facilitates carceral governing practices, including the TV industry's involvement in the classification, criminalization, and warehousing of dispossessed populations.

PaperRank:

Periodical of Consumer Civilization

In this commodity, I examine slaveryfootprint.org to consider the complexities of and then-called ethical... more In this article, I examine slaveryfootprint.org to consider the complexities of so-called ethical consumption in a transnational, neoliberal context reliant on new media. I argue that the characterization of slavery on slaveryfootprint.org (and the process of de-fetishizing this labor) attempts to shore up a distinction between "free" and forced labor, only unwittingly illuminates the ambivalence of this divide. At the aforementioned time, the website uses U.Southward. chattel slavery to add moral heft and urgency to address what it calls modern-solar day slavery. In so doing, slaveryfootprint.org locates slavery elsewhere both temporally and spatially, and therefore erases the afterlife of slavery and the salience of antiblackness to contemporary everyday life.

PaperRank:

Television and New Media , Jul 2015

The surge of U.S. reality television shows focused on "making over" contestants has paralleled th... more The surge of U.S. reality goggle box shows focused on "making over" contestants has paralleled the decline of the welfare state, the eradication of Affirmative Action, and the rise of the prison-industrial circuitous. This commodity examines MTV's "From Grand's to Gents" to consider questions of neoliberal governmentality and race. By analyzing the testify's human relationship to the prison system, enterprise culture, and heteronormativity, I argue that the show functions as a technology that governs black freedom under neoliberalism.

PaperRank:

Cultural Studies/Critical Methodologies, special outcome on Trayvon Martin

PaperRank:

Academy of Minnesota Press , 2022

From the classic television miniseries Roots to the edutainment video game Mission ii: Flight to F... more From the classic telly miniseries Roots to the edutainment video game Mission two: Flight to Freedom and the pop website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.Due south. public near slavery. Page theorizes media not just as a system of representation just also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity.

PaperRank: